These days, the studio is as much a part of music making as the musician. Logic Pro X combines the best of both worlds: features to bring fresh musical ideas to life, and tools to derive the most from a performance. In this course, Scott Hirsch takes you over the Logic learning curve, showing how to compose, record, edit, and mix great sounding tracks. First, get comfortable with the setup and workflow, and then learn how to record audio, MIDI, and virtual instruments.
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Scott shows how to use samples and Apple Loops, and conform their time and pitch to better fit a song. Next, learn about editing and arranging techniques for both audio and MIDI data. Moving deeper into the program, Scott explains how to work with music notation and score to video. He wraps up the course with extensive information on mixing, exporting, and sharing your final tracks. Instructor.
NYU professor Scott Hirsch is a sound designer, an editor for film and video, and an audio engineer. Scott Hirsch is a sound designer, an editor and mixer for film and video, a musician, and an audio engineer. Scott's straightforward approach to teaching professional audio concepts, including applications such as Pro Tools, Logic Pro, and Reason, has brought indispensable knowledge and boundless creativity to his students. As a sound designer, editor, and mixer for film and video, his selected credits include sound design for the 2013 Tribeca Film Festival special jury mention, Stand Clear of the Closing Doors, and director Jonathan Caouette's short All Flowers in Time.
He was the sound effects editor on the 2012 feature The Comedy, Sundance 2011 and IFC feature Septien, and Outfest 2013 outstanding screenwriting and best dramatic feature winner, Test. Scott was the supervising sound editor and re-recording mixer on Cannes Film Festival 2012 and SXSW best short winner The Chair, Seattle Film Festival short film winner Mobile Homes, and cult favorite Plagues & Pleasures of the Salton Sea, as well as countless other narrative films and documentaries. Musically, he engineers and plays multiple instruments with the bands Hiss Golden Messenger, Family Band, and his own project Dunedin Dunedin. Scott received his master's degree in music technology from New York University, where he concentrated his studies on 3D and spatial audio. He is an adjunct professor at NYU's Music Technology department and at Stephen F. Austin State University's Sound Recording Technology program. Scott is the coauthor of the Wiley/Sybex book Pro Tools® 7 Session Secrets: Professional Recipes for High-Octane Results.
By: Todd Howard course. 3h 37m 22s. 3,493 viewers. Course Transcript There's a good chance you already installed Logic Pro X on you Mac.
But in addition to clicking Buy in the App Store, there a few other new ones to installing Logic Pro X for the first time that I want to touch on in this movie. If you've ever bought software from Apple's App Store, buying and installing Logic is no different. This is a fairly new stream line, disk-free, and worry-free of purchasing, downloading and installing software.
Before you can successfully install the software, you must have these software and hardware requirements. 4 gigabytes of RAM. A display with a 1280 by 1768 resolution or higher.
OSX Version 10.8.4 or later. Logic 10 also requires 64 bit audio units plugins. This is a huge point to consider if you're planning to use older plugins that are 32 bit. You also have to have a minimum of 5 gigabytes of disk space before you can install Logic Pro. Or you must have 35 gigabytes for the in app download. We'll get to this last point in a second.
So you navigate to. Practice while you learn with exercise files. Watch this course anytime, anywhere. Course Contents.
Introduction Introduction. 1. Getting Started with Logic Pro X 1.
Getting Started with Logic Pro X. 2.
Establishing a Workflow 2. Establishing a Workflow. 3. Making Music with Logic 3.
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Making Music with Logic. 4. Recording MIDI 4. Recording MIDI. 5.
Editing and Arranging MIDI 5. Editing and Arranging MIDI. 6.
Composing with Samples and Apple Loops, and Exploring Tempo and Pitch 6. Composing with Samples and Apple Loops, and Exploring Tempo and Pitch. 7. Recording Audio 7. Recording Audio. 8. Editing and Arranging Audio 8.
Editing and Arranging Audio. 9. Working with Notation 9. Working with Notation. 10. Working with Picture and to and from FCP 10. Working with Picture and to and from FCP.
11. Working in Surround 11. Working in Surround. 12. Mixing and Mastering 12. Mixing and Mastering.
13. Exporting, Sharing, and Other Application Workflows 13. Exporting, Sharing, and Other Application Workflows.
Conclusion Conclusion.
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